Ruscha’s Petro Plots (2009)

In Ed Ruscha’s Petro Plots (2001), the artist takes a selection of major Los Angeles intersections, and integrates the grid into the surface of what appears to be stone. Once again calling upon the distinct Mixografia® technique, the prints take on three-dimensional texture to deceive. The streets are named in a straightforward manner, but the texture of the handmade paper obscures the names from sight. Visually, these minimalist maps are cunning and candid.

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