John Williams' Untitled, an Abstract Painting in My Home By Sarah Lehrer-Graiwer
"In the tradition of abstract expressionism, which rejected representing actual objects in favor of an energetic investigation of painting's basic materials, the painting[s] show the accumulated evidence of the artist's body in motion. Recording Williams' gestures as painterly thrashings, the work is a precise complement to his memorable live performances, in which he constantly arranged and rearranged a sprawling set of props and overhead projections.
[His works are big] and crammed full of colorful and layered activity that conveys the speed of Williams' brush. Flat, graphic shapes abut muddied smears and mottled textures. Arcing strokes mark the compasslike reach of the artist's wrist while contrasting with more detailed areas of gridded pattern.
While there are some bulging globs of paint on the surface, it's the overlapping actions that really give the picture an illusion of dizzying depth. With intertwining lines curving, streaking and corkscrewing all over, this is an emphatically active, nearly explosive painting, which promises to activate even further with prolonged, daily viewing."